7

Do Not Answer

응답하지 마시오

  • 5,189 characters
  • ~10 min

The night the rate had become a tide that would not ebb and lay pooled in its cell, I went back to the box. This time I opened the third bundle — the surveyor's shaft log.

I no longer read these bundles out of curiosity. I read them to confirm the shape of the law. The shaft had deepened the more it was sounded; the rating had fallen the more it was read; the rate had risen the more it was written. Depth, grade, water level — the directions differed, but the thing that grows under a touching hand was the same. And yet in the log of the surveyor, Paek Nam-su, there was one line I had not yet laid over my own.

I counted the scored lines on the shaft wall. The lines cut into the rock were always one more than the number of surveyors who had been assigned. The next line was always empty, waiting for the next man.

More lines than men. I rested my hand on that sentence and stayed there a long while. In a shaft that goes on deepening, the lines cut into the wall always outnumbered the surveyors posted to it by one. And that one line stood empty. Paek Nam-su knew whose empty line it was — the next man down. He could not bring his log to a close beside it, because the empty next line was his own.

From the records-room cabinet I drew out the personnel file — to count the discharge and resignation lines of everyone who had passed through this clerk's post, this desk where I sit now. My hands were cold. One line, one person. What Paek Nam-su had done on the shaft wall, I was doing in a personnel file.

The clerks before Do-gyeong. Han Seong-█ — my predecessor. Five above him. And more above them. Running my finger down the lines, I counted the people. Six had vanished or been discharged from the records-room desk. But the discharge lines came to seven. Always one line more than there were people. Just as on the shaft wall.

6 people · 7 lines · ↓ · the 8th line stands empty …

The seventh line was empty. Name field, reason field — all blank. Only in the discharge-date field was a date faintly stamped. I held it close to the lamp.

De · cem · ber · ██.

The day the reserves touch zero. The rating review date. The day the film wrote in between the digits. And now the discharge date of the seventh person to pass through this desk. As the forty-eighth line on the shaft wall had been Paek Nam-su's, so the seventh line in the personnel file stood empty — waiting for me. By counting, I had added that one line, and the line I added was my own.

I remembered that the motto on the rating terminal had also been the motto on the surveyor's machine.

NUMERUS NON MENTITUR

Count six people, and seven lines come out. The reckoning was not wrong. The shaft always scored one line more than the surveyors posted to it; the personnel file took six away and drew seven. That one line of excess was not an error but a law. The one who reads, who counts, who writes — is always the one next line.

I looked again at the name field of the seventh line. In that field, blank until now, fractured letters were rising one apart from the next. They had not yet gathered into a single name, but the order in which the consonants and vowels surfaced was familiar. It was the order of the three syllables I write every day in the approval box.

To read the shaft was to become the shaft's next line.

The night my name rose in the seventh line of the personnel file, I opened the fourth bundle — the one I had put off to the last. The telegraph operator's log.

Sin Gyeong-ha. In the autumn of 1937 he stood the night watch alone at a wireless station on a remote headland of the East Sea. His log differed from the other three in one respect. The lighthouse keeper, the surveyor, the librarian — they measured, they wrote, they read. They were on the receiving side. But the telegraph operator could send.

In the margin of his handover papers stood a single line his predecessor had left.

Do not answer. I looked at those three words a long while. It was a cadence I had met before. On the last page of the librarian's log, the warning Father Duncan had left — do not read to the end. The two prohibitions rang in the same key. Do not read. Do not answer. Stop at the receiving. Add nothing of your own hand.

The first I had already broken. In early November I read the librarian's log through to the end, and from that day the syllables began arriving apart. Because I read, it crossed to me. The second prohibition, then — that one I had not yet broken. The tomorrow-dated cash report the terminal printed, the downgrade that came before its announcement: I had only taken them down. I had not sent them up, had not corrected them, had passed them to no one. I had not answered.

Sin Gyeong-ha answered. The back pages of the bundle set down what came of it. He could not bear the tomorrow-dated dispatches the empty frequency kept sending. One night he pressed the send key. And the answer he had sent came back to him the next day, out of that same empty frequency. From the moment he answered, he was no longer the receiver but the sender — the one who transmits tomorrow. The sender on the empty frequency was himself.

A line had been engraved on the nameplate of the telegraph set, the predecessor had noted.

AUDITUR QUOD NON SONAT

What does not sound is heard. A dispatch never sent is received. A downgrade never announced comes as a notice. A key never pressed returns as a sound already rung. I knew this for the same saying as the work of my terminal. My terminal printed tomorrow — numbers I had not yet keyed in. What had not sounded was already being heard.

The temptation, then, was plain. To answer. To send the numbers up myself and head it off, so that tomorrow's cash report would be made a lie. To correct the downgrade. To coax the collapsing exchange back inside its dyke. To add my hand and set all of it right. For one who does nothing but take things down, it was an unbearable temptation — to know, and to sit still. That must be why Sin Gyeong-ha pressed the key. To stop it. But the answer did not stop it. The answer only made him the sender.

I resolved not to answer — to close the bundle and go back to being one who only takes things down. Just then the records room's old internal terminal, though I had left it switched off, gave a single ring. A receive indicator lit. From an extension with no sender, a one-line dispatch had arrived.

The dispatch was short. Thank you for the answer. And in the sender field were stamped the three syllables of my name and my employee number — though I had not yet pressed a single key.

The next afternoon Kang Min-seok, an assistant manager from treasury, came down to the records room. Approval papers were his pretext, but he laid them on my desk and lingered a long while all the same.

"Down here in the basement, Miss Kim, you'd have no way of knowing," he said, dropping his voice. "Upstairs it's all anyone can talk about. A suspension of business. They say our own company will be on the roster too."

I set down my pen. Min-seok had joined the company the same year I had; his employee number is only two digits off from mine. Where I had been posted to the records room, he had gone to treasury, and so he always breathed the air of the upper floors first. He rubbed his forehead with the back of his hand. He had married last year, his child had come in the spring, and in the autumn he had taken out a loan and bought a home. He said the three things in a single breath — as though by now they were not three but one weight.

"They say the merchant banks will be suspended one after another. One gets shut, then the next, then the next. As if the order were already set." He gave a hollow laugh. "Doesn't it feel as though someone wrote the roster out in advance?"

A roster written in advance. The words went cold down my back. He had said it as a joke, but I was one who had seen that roster. The tomorrow-dated cash report, the downgrade notice before its announcement — the order was already set. One gets shut, then the next, then the next: exactly as the surveyor had written it. The next line to wear away always stands empty, waiting for the next man. In the shaft it had been a miner; in the personnel file it was me; in the roster Min-seok spoke of now, each company was one line.

And Min-seok sat trembling, not knowing where among those lines his own name stood.

"Aren't you afraid, Miss Kim?" he asked. "It's so quiet down here. Upstairs the phones are ringing off the hook."

I could not tell him I was afraid. What I feared was not what he feared. He was afraid the company would land on the roster. I was afraid because I knew whose hand was writing it. And now, watching his face, I could not stop my eyes from doing their work — I was reading him as a line not yet drawn. The next line to wear away. The more he spoke, the more he seemed to me already faintly stamped in some cell of some ledger.

"I'm afraid," I said in the end, and only that. It was not a lie.

He smiled, a little eased — that there was someone who feared the same thing. He left the papers and went up, and I listened to his footsteps on the stairs all the way to the end. After they had faded I picked up the approval papers he had left. It was a treasury headcount sheet — a tally of staff by division, drawn up against the suspension.

I looked at the date at the top, the day it had been drawn up.

No · vem · ber · 22.

It was tomorrow's date. A headcount drawn up on a day I had not yet lived. I looked at the treasury total, and set it against the count that had circulated yesterday for today. The treasury headcount on tomorrow's sheet was exactly one fewer.

The law was no longer confined to my desk. The seventh line in the personnel file was a records-room matter. But this headcount sheet was a treasury matter, and it was tomorrow-dated, and already one person was gone from it. I could not find in the sheet who the missing one was. Only the total ran one short; no name had yet been erased.

But a moment ago I had listened to those footsteps climb the stairs, all the way to the end.

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